Trude Parkinson

> H o m e < ^ up Galerie I Galerie II Galerie III Galerie IV Galerie V Die Kuenstlerin

 

 

 

2254 N. W.  Hoyt Street

Portland, Oregon 97210

U S A

+001 503 317 4016

TrudeParkinson @ haiss.net

 

 

SELECTED EXHIBITIONS, INSTALLATIONS AND PROFESSIONAL ACTIVITIES:

 

2005

"Reverberations," Nine Gallery, Portland, Oregon. A collaborative installation with Elizabeth Stanek on the theme of sound and silence, incorporating cast ears, a phone booth, and an industrial felt and copper screen spiral (33yds. X 9’ d, 14’ h).

"Reallegories," Oregon State University, Corvallis, Oregon. Installation of double sided paintings, "Memories and Incidents."  Group exhibition.

Curator, with Terri Hopkins, "Unexpected Watercolor," Art Gym, Marylhurst University, Marylhurst, Oregon. An exhibition of contemporary artists who explore unconventional approaches to watercolor.  Artists:  Laurie Reid, Claire Cowie, Jeffrey Simmons, Michael Knudson, Tori Ellison, Brian Murphy, Laura Ross Paul, and Kim McCarty.

"History Chronicles," Oregon State University, Corvallis, Oregon. With Carol Sherman and Joan Gratz. A public art commission for Dixon Recreation Center. Two 4’ x 5’ collages.

 

2004

 "Visual Poetry," Pringle Gallery, Philadelphia, Pennsylvania. Double sided paintings. Three person exhibition with Diana Gonzalez Gandolfi and Sarah Stengle.

"Reverberations,"  Studio 21, Portland, Oregon. A collaborative installation with Elizabeth Stanek on the theme of sound and silence

Oregon Arts Commission Individual Artist Fellowship, Oregon Arts Commission, Salem, Oregon. To support travel and painting in Germany and Oregon.

Heitland Foundation Stipend, Heitland Foundation, Celle, Germany. To support travel and painting in Germany.

 

2003

 "Reallegories," Belmont Factory, Portland Oregon. Installation of double sided paintings, "Memories and Incidents," in an invitational painting exhibition as part of an invitational series of city wide exhibitions entitled, "Core Sample."

"Equinox," Paris Gibson Square Museum, Great Falls, Montana. Double sided paintings. Group exhibition.

Purchase Award, "Art Beat," Portland Community Colleges, Portland, Oregon. Poster and purchase of three double sided paintings for permanent collection.

 

2002

"Somebody/Something  Nobody/Nothing," Alysia Duckler Gallery, Portland, Oregon. 9/11 collages and books made from photocopies of papers found on rooftops in Manhattan after September 11, 2001. Solo exhibition.

Project Grant for "Reverberations," Regional Arts and Culture Council, Portland, Oregon. To develop an installation, with Elizabeth Stanek, on the theme of sound and silence, incorporating cast ears, a phone booth, and a felt and copper screen spiral.

Technical Grant, Regional Arts and Culture Council, Portland, Oregon. To support painting research in Germany.

 

2001

"Grace," Art Gym, Marylhurst University, Marylhurst, Oregon. Double sided ladder painting, rust prints, and books. A group exhibition on the theme of Buddhism.

"Memory:  Substance and Spirit," Alysia Duckler Gallery, Portland, Oregon. Installation of Double sided paintings.  Solo exhibition.

"Reflections," Phoenix Arts Commission, Phoenix, Arizona. Addendum to "Cordova Gardens," a public art project in Phoenix, Arizona. Collaged ceramic tiles in a wall.

 

2000

"Wonder Women," Art Gym, Marylurst University, Marylhurst, Oregon. Collage. Invitational group exhibition.

"Gallery Artists," Alysia Duckler Gallery, Portland, Oregon. Double sided paintings.

"Book Show," Alysia Duckler Gallery, Portland, Oregon. Group exhibition.

 

1999

"Artifacts," Alysia Duckler Gallery, Portland, Oregon. Double sided paintings, drawings, and sculpture. Solo exhibition.

Permanent installation in Center Green Building, Boulder, Colorado.  With Jeanne Fetterman, architect, on the theme of mining.  Boxes with copper and found objects embedded in columns. Seven collages, ranging in size from 15" x 20" to 40" x 60".

 

1998

"Accomplices:  Memory and Metaphor," University of Oregon, Eugene, Oregon; Halley Ford Museum, Willamette University, Salem, Oregon. An installation of double sided paintings.from the Oregon Biennial exhibition.

"Crescordia" Award, State of Arizona.  With Michael Dollin, for artistic and environmental excellence in public art for "Cordova Gardens," Arizona Commission on the Arts, Phoenix, Arizona.

"Cordova Gardens," Phoenix Arts Commission and Channel 11, Phoenix, Arizona. A documentary on the public art project, "Cordova Gardens."

"Cordova Gardens Median Enhancement Project," Phoenix Arts Commission, Phoenix, Arizona. With landscape architect, Michael Dollin.  Half mile of median strip:  sculpture with found and fabricated components, including telephone poles; colored concrete with embedded, inscribed, and etched surfaces; cast bronze circles with images; landscaping. 1991 - 1998

 

1997

"Accomplices:  Memory and Metaphor," Oregon Biennial, Portland Art Museum, Portland, Oregon. An installation of double sided paintings. Group exhibition of selected Oregon artists. Curated by Kathryn Kanjo, curator of contemporary art, Portland Art Museum.

"Accomplices:  Memory and Metaphor," Nine Gallery, Portland, Oregon. An installation of double sided paintings. Solo exhibition.

"Behind Closed Doors," Flander's Street Lofts, Portland, Oregon. An installation in a closet exploring the limits of perceptual adaptation using keys and keyholes. With Jeri Hise as one of several installations. Curated by Mark and Rae Mahaffey of Mahaffey Fine Arts, Portland, Oregon.

"Figurative Artists," Margo Jacobsen Gallery, Portland, Oregon. Paintings. Group exhibition.

 

1996

"Mnemonics," University of Arizona, Tucson, Arizona. Paintings. Solo exhibition.

"Mnemonics," Linfield College, McMinnville, Oregon. Paintings. Solo exhibition.

 

1994

"Monotypes," Artspace Gallery, Owego, New York. Solo exhibition.

"The Language of Unity," Interstate Firehouse Cultural Center, Portland, Oregon. American, Israeli and Palestinian collaboration with Suzanne Klotz, Itzu Rimmer and Yacoub Al-Kurd. Collaborative and individual collages and paintings.

Project Grant for "Language of Unity, " Oregon Council for the Humanities, Portland, Oregon. To support the development of a collaborative installation between American, Israeli, and Palestinian artists for exhibition at the Interstate Firehouse Cultural Center, Portland, Oregon.

 

1993

"Fresco:  A Contemporary Perspective," Parsons School of Design, New York, New York. Group exhibition.

Visiting artist, Visual Arts Department, Princeton University, Princeton, New Jersey.

"Visions of Unity," University of Utah, Salt Lake City, Utah. Mishkenor Sha’ananim Gallery, Jerusalem, Israel. An invitational multicultural collaborative exhibition. With Israeli artist, Ytzhak Greenfield.

 

1992

"Finder’s Keepers," Galeria Mesa, Mesa, Arizona.  Found object collage. Group exhibition.

Professional Development Award, Arizona Commission on the Arts, Phoenix, Arizona. For a Fresco Workshop at the Kala Institute, Berkeley, California. With Lucienne Bloch, Steven Pope Dimitroff (Diego Rivera’s plasterer), and Sandro Martini.

 

1991

"Niches, Windows, Doors," Arizona State Capitol, Phoenix, Arizona. Collages. Solo exhibition.

Professional Development Award, Arizona Commission on the Arts, Phoenix, Arizona. For a Fresco Workshop at the Kala Institute, Berkeley, California. With Sandro Martini, Milan, Italy.

Guest artist, Pyramid Atlantic Press, Washington, D.C.  Collage workshop.

 

1990

"Open Windows," Arizona Commission on the Arts, Phoenix, Arizona. Selected solo traveling exhibition.  Collages. Brigham Young University, Salt Lake City, Utah. Scottsdale Community College, Scottsdale, Arizona. Arizona State Capitol, Phoenix, Arizona. 1998-90

"Paper, Papel, Papier in the Round," Tempe Fine Arts Center, Tempe, Arizona. Collage. Group exhibition.  First prize award.

"The Language of Art," Shemer Art Center, Phoenix, Arizona. Collages. Group exhibition. Curated by Barbara Gilson.

Professional Development Award, Arizona Commission on the Arts, Phoenix, Arizona. For the Master Artist Program with Nancy Graves at the Santa Fe Institute of Fine Arts, Santa Fe, New Mexico.

Scholarship from Santa Fe Institute of Fine Arts, Santa Fe, New Mexico.  For the Master Artist Program with Nancy Graves.

 

1989

"Monotypes," Hayden Library, Arizona State University, Tempe, Arizona. Watercolor monotypes. Group exhibition.

"Arizona Artforms," Public Broadcasting System (KAET), Arizona State University, Tempe, Arizona. A documentary prepared for broadcast as part of a series exploring the individual art forms of each of 20 selected Arizona artists.  Broadcast repeatedly from 1989-90.

 

1988

"Textures," Elaine Horwitch Gallery, Palm Springs, California. Collages. Two person exhibition.

"Palimpsest," Central Park, New York, New York.  Collaged screens and masks for a version

of "Palimsest," performed and filmed in Central Park.  Choreography and performance by Georgiana Holmes.  Film by Steven Malkus.

 

1987

"New Directions," Scottsdale Center for the Arts, Scottsdale, Arizona. Collages. Solo exhibition.

"Print Invitational." AP Tell Gallery, Grand Canyon College, Phoenix, Arizona.  Monotypes. Group exhibition.

 

1986

"Evocations," Rotunda Gallery, University of Arizona, Tucson Arizona. Collages. Solo exhibition.

"Expanding Boundaries," Gallery 4, Oxford, England. Collages. Solo exhibition. 

"Expanding Boundaries,"  Wolfson College, Oxford University, Oxford, England. Collages. Solo exhibition.

 

1985

"An American Album:  Images by Women Artists," United Nations Conference, Nairobi, Kenya. Collage. Museum of Women in the Arts, Washington, D.C.

 

1984

"Palimpsest," Phoenix art Museum, Phoenix, Arizona; Tempe Fine Arts Center, Tempe, Arizona; various locations in Boston and New York. Collaged screens and masks for original choreography by Georgiana Holmes, dancer, formerly with the dance companies, Pilobolus and Luis Falco. Dancers:  Steven Malkus and Georgiana Holmes. 1984-90

 

1983

"Windows and Aquariums," Fine Arts Center, Tempe, Arizona. Monotypes. Two person exhibition.

"2-D National," San Pedro, California. Collage.

"Emerging Artists," Austin Gallery, Scottsdale, Arizona. Collages. Solo exhibition.

 

1982

"Pensacola National Watermedia Exhibition," Pensacola, Florida. Watercolor. Group exhibition.

"The Way Things Are," Harry Wood Gallery, Arizona State University, Tempe, Arizona.  Collages. Solo exhibition.

 

1981

"New West Invitational," Suzanne Brown Gallery, Scottsdale, Arizona.  Collages.  Group exhibition

 

*follows soon

 

Galerie I

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